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Gerhard Richter, 6 Gray Mirrors, 2003. © Gerhard Richter/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn. Photo: Richard Barnes. |
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| Selected Bibliography |
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von Drathen, Doris. "Gerhard Richter: Les pouvoirs de l'abstraction." Les Cahiers du Musée National d'Art Moderne (Paris) 40 (Summer 1992), pp. 67–85.
Gerhard Richter: Catalogue Raisonné of Paintings and Sculptures 1962–1993, 3 vols. Ed. Benjamin H. D. Buchloh and Kasper König. Bonn: Bundeskunsthalle, and Musée d'art moderne de la ville de Paris, 1993.
Wood, Paul. "Truth and Beauty: The Ruined Abstraction of Gerhard Richter." In Art Has No History. Ed. John Roberts. London: Verso, 1994, pp. 180–99.
Gerhard Richter: The Daily Practice of Painting. Writings and Interviews 1962–1993. Ed. Hans-Ulrich Obrist. Cambridge, Mass.: The MIT Press, in association with Anthony d'Offay Gallery, London, 1995.
Fer, Briony. "Postscript: Vision and Blindness." In On Abstract Art. New Haven, Conn.: Yale University Press, 1997, pp. 153–69.
Buchloh, Benjamin H. D. "Gerhard Richter's Eight Gray: Between Vorschein and Glanz." In Gerhard Richter: Eight Gray 2002. Berlin: Deutsche Guggenheim, 2002, pp. 13–28.
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| Biography |
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Gerhard Richter was born in Dresden in 1932. He studied at the art academy in Dresden between 1951 and 1956 and at the Kunstakademie Düsseldorf from 1961 to 1963, becoming a professor there in 1971. Since his first solo show at Galerie René Block in Berlin in 1964, Richter has exhibited in many international venues, including Documentas 5 (1972), 7 (1982), 8 (1987), 9 (1992), and 10 (1997). In 1998, the Art Gallery of Ontario and the Museum of Contemporary Art, Chicago, co-organized Richter's first North American retrospective. During its 1995–96 season, Dia exhibited Atlas, Richter's ongoing encyclopedic work composed of photographs, reproductions, and illustrations; during Dia's 2002–03 season, Richter presented, with Jorge Pardo, "Refraction," an exhibition in Project, Pardo's redesign of Dia's bookshop, lobby, and first-floor exhibition gallery in Chelsea. In 2002, the Museum of Modern Art, New York, presented a major retrospective of Richter's paintings, which traveled throughout the United States.
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