John Chamberlain, The Privet, 1997. © John Chamberlain/Artists Rights Society (ARS), New York. Photo: Nic Tenwiggenhorn.

Essay by Lynne Cooke
Selected Bibliography
Biography


Selected Bibliography

John Chamberlain: A Retrospective Exhibition. Ed. Diane Waldman. New York: Solomon R. Guggenheim Museum, 1971. Interviews by Elizabeth C. Baker, Donald Judd, and Diane Waldman.

John Chamberlain: Reliefs, 1960–1982. Sarasota, Fla.: The John and Mable Ringling Museum of Art, 1983. Text and interview by Michael Auping.

John Chamberlain: A Catalogue Raisonné of the Sculpture, 1954–1985. Ed. Julie Sylvester. New York: Hudson Hills Press, in association with The Museum of Contemporary Art, Los Angeles, 1986. Text by Klaus Kertess.

John Chamberlain: Gondolas and Dooms Day Flotilla. New York: Dia Center for the Arts, 1991. Interviews by Julie Sylvester and Lawrence Weiner.

John Chamberlain. Baden-Baden: Staatliche Kunsthalle, in association with Cantz, Ostfildern, 1991. Texts by Angelika Beckmann, John Chamberlain, Donald Judd, and Jochen Poetter.

DeKooning, Chamberlain: Influence and Transformation. New York: PaceWildenstein, 2001. Text by Bernice Rose.


Biography

Born in 1927 in Rochester, Indiana, John Chamberlain grew up in Chicago. After serving in the United States Navy from 1943 to 1946, he attended the Art Institute of Chicago (1951–52) and Black Mountain College (1955–56). Chamberlain moved to New York in 1956 and the following year made Shortstop, his first sculpture incorporating automobile parts. His work was included in the "Art of Assemblage" exhibition at the Museum of Modern Art, New York, in 1961, and he began showing at Leo Castelli's New York gallery in 1962. Chamberlain had his first retrospective in 1971, at the Solomon R. Guggenheim Museum, New York, and the Museum of Contemporary Art, Los Angeles, held a second retrospective in 1986. He currently lives and works on Shelter Island, New York.




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