Blinky Palermo, To the People of New York City, 1976—77. © Estate of Blinky Palermo/Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. Photo: Bill Jacobson.

Essay by Anne Rorimer
Selected Bibliography
Biography


Selected Bibliography

Rorimer, Anne. "Blinky Palermo: Objects, 'Stoffbilder,' Wall Paintings." Artforum 12, no. 3 (November 1978), pp. 28–35.

Blinky Palermo. New York: Dia Art Foundation, 1987. Text by Gary Garrels.

Blinky Palermo. New York: Sperone Westwater, 1987. Text by Anne Rorimer.

Blinky Palermo. Leipzig: Galerie für Zeitgenössische Kunst and Museum der Bildenden Künste, in association with Edition Cantz, Ostfildern, 1993. Texts by Bernhard Bürgi, Johannes Cladders, Erich Franz, Laszlo Glozer, Susanne Küper, Thomas Alfred Lange, Bernhart Schwenk, Dierk Stemmler, Max Wechsler, and Klaus Werner.

Palermo: Werkverzeichnis, 2 vols. Ed. Thordis Moeller. Bonn: Kunstmuseum, in association with Oktagon Verlag, Stuttgart, 1995. Texts by Thordis Moeller, Klaus Schrenk, and Christoph Schreier.

Palermo: To the People of New York City. Basel: öffentliche Kunstsammlung Basel, Museum für Gegenwartskunst, 1995. Texts by Frank O'Hara and Katharina Schmidt.


Biography

Blinky Palermo was born Peter Schwarze in Leipzig in 1943. He and his twin brother, Michael, grew up as adopted children under the name Heisterkamp. In 1962 he entered the Kunstakademie Düsseldorf, where he studied with Joseph Beuys and, in 1964, adopted the name "Blinky Palermo," which he appropriated from an American boxing promoter and mafioso. In 1968 Palermo showed his Wall Drawings at the Galerie Heiner Friedrich, Munich. After visiting New York with Gerhard Richter in 1970, he established a studio there in 1973. Palermo died in 1977, while traveling in the Maldives. His last work, To the People of New York City (1976–77), was shown at the Heiner Friedrich Gallery, New York, in 1977, and at Dia in 1987. Before his death, Palermo participated in more than seventy exhibitions and represented Germany at the São Paulo Bienal in 1975. He has had posthumous retrospectives at the Kunstmuseum Winterthur (1984) and the Kunstmuseum Bonn (1993).




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